Jacob Stainer violin 1679 poster violin 1679 42cm x 62cm
メール便(定形外普通郵便)の送料は350円~です。
A remarkably preserved violin by the most popular non-Italian maker of his day, and one of the few Classical violins that has never been converted to modern playing specifications. No similar violin is known to exist from the ‘accepted’ Cremonese school. Remarkably, after more than 300 years, it retains its original, unaltered fingerboard and bass-bar. Includes measurements
‘The superb curving lines, the sculptural depth and the delicate craftsmanship of Stainer’s instruments are the epitome of the Baroque. I would maintain that in this respect alone, Stainer at his best comes closer than any other classical maker to the Amati ideal’ ? Roger Hargrave, The Strad, April 1990
Jacob Stainer violin 1679 poster
violin 1679
42cm x 62cm
メール便(定形外普通郵便)の送料は350円~です。
A remarkably preserved violin by the most popular non-Italian maker of his day, and one of the few Classical violins that has never been converted to modern playing specifications. No similar violin is known to exist from the ‘accepted’ Cremonese school. Remarkably, after more than 300 years, it retains its original, unaltered fingerboard and bass-bar. Includes measurements
‘The superb curving lines, the sculptural depth and the delicate craftsmanship of Stainer’s instruments are the epitome of the Baroque. I would maintain that in this respect alone, Stainer at his best comes closer than any other classical maker to the Amati ideal’ ? Roger Hargrave, The Strad, April 1990
*裏面に当楽器の詳細なデータ、graduation map,parts等が掲載。